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Urn with Dragon and Dog  Period: Southern Song dynasty (1127–1279) Date: 12th–13th century Culture: China Medium: Porcelain with carved and raised decoration under celadon glaze (Longquan ware) Dimensions: H. with cover: 10 in. (25.4 cm)

Urn with Dragon and Dog Period: Southern Song dynasty (1127–1279) Date: 12th–13th century Culture: China Medium: Porcelain with carved and raised decoration under celadon glaze (Longquan ware) Dimensions: H. with cover: 10 in. (25.4 cm)

Fragment of a casting mold with dragon motif, early 5th century B.C. Eastern Zhou dynasty. China.The Metropolitan Museum of Art, New York. Lent by the Shanghai Museum | This work is featured in our “Innovation and Spectacle: Chinese Ritual Bronzes” exhibition, on view through March 22, 2015.  #AsianArt100

Fragment of a casting mold with dragon motif, early 5th century B.C. Eastern Zhou dynasty. China.The Metropolitan Museum of Art, New York. Lent by the Shanghai Museum | This work is featured in our “Innovation and Spectacle: Chinese Ritual Bronzes” exhibition, on view through March 22, 2015. #AsianArt100

Yoga Narasimha, Vishnu's Man-Lion Incarnation, 12th century. India (Tamil Nadu). The Metropolitan Museum of Art, New York. Samuel Eilenberg Collection, Bequest of Samuel Eilenberg, 1998 (2000.284.4) | This work is exhibited in the “Encountering Vishnu: The Lion Avatar in Indian Temple Drama” exhibition, on view through June 5, 2016. #AsianArt100

Yoga Narasimha, Vishnu's Man-Lion Incarnation, 12th century. India (Tamil Nadu). The Metropolitan Museum of Art, New York. Samuel Eilenberg Collection, Bequest of Samuel Eilenberg, 1998 (2000.284.4) | This work is exhibited in the “Encountering Vishnu: The Lion Avatar in Indian Temple Drama” exhibition, on view through June 5, 2016. #AsianArt100

Dharmachakra (Wheel of the Law). 8th century. Central Thailand. Sandstone. http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b9A312299-72C2-49CD-9AFC-DE56BDFCF6BD%7d&oid=77751&pg=6&rpp=20&pos=107&ft=*

Dharmachakra (Wheel of the Law). 8th century. Central Thailand. Sandstone. http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b9A312299-72C2-49CD-9AFC-DE56BDFCF6BD%7d&oid=77751&pg=6&rpp=20&pos=107&ft=*

This majestic Buddha Vairocana was likely produced by a monastic workshop in peninsular Thailand when that region was in close contact with eastern India, notably Bihar and Bengal, absorbing the innovative Esoteric Buddhist ideas and imagery developing there, especially in the ninth century.

This majestic Buddha Vairocana was likely produced by a monastic workshop in peninsular Thailand when that region was in close contact with eastern India, notably Bihar and Bengal, absorbing the innovative Esoteric Buddhist ideas and imagery developing there, especially in the ninth century.

Camel, Northern Wei–Northern Qi dynasty, mid–late 6th century  China  Earthenware with traces of pigment  H. 9 3/4 in. (24.8 cm)

Camel, Northern Wei–Northern Qi dynasty, mid–late 6th century China Earthenware with traces of pigment H. 9 3/4 in. (24.8 cm)

Seated Ganesha, 14th–15th century India, Orissa Ivory

Seated Ganesha, 14th–15th century India, Orissa Ivory

Head of a Buddha Period: Northern Qi dynasty (550–577) Date: mid-6th century Culture: China Medium: Limestone with traces of pigment and gilding

Head of a Buddha Period: Northern Qi dynasty (550–577) Date: mid-6th century Culture: China Medium: Limestone with traces of pigment and gilding

Victorian tile showing an oriental dragon design.    The Tile Museum, Jackfield, near Ironbridge, Shropshire.

Victorian tile showing an oriental dragon design. The Tile Museum, Jackfield, near Ironbridge, Shropshire.

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