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sc_04.jpg (1200×900)

sc_04.jpg (1200×900)

Parenthèses, Noyer et Acier, 150x120 cm, pièce unique, www.duramen.eu #LGLimitlessDesign #Contest

Parenthèses, Noyer et Acier, 150x120 cm, pièce unique, www.duramen.eu #LGLimitlessDesign #Contest

Gego (Gertrud Goldschmidt) - Reticulárea, 1969-1980s, aluminum and stainless steel wire

Gego (Gertrud Goldschmidt) - Reticulárea, 1969-1980s, aluminum and stainless steel wire

CONSTELLATIONS5 / Edward Shenk

CONSTELLATIONS5 / Edward Shenk

l'homme a l'air  statique comparée a la structure qui elle semble en mouvement.

l'homme a l'air statique comparée a la structure qui elle semble en mouvement.

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

Not sure what this is, or who it is by. But I like it.

Not sure what this is, or who it is by. But I like it.

Dutch Sculpture Henk Visch. The experience of space is the key to Henk Visch’s sculptural practice. He is unwilling to submit the creation or exhibition of his sculptures to any programmatic, stylistic or technical system

Dutch Sculpture Henk Visch. The experience of space is the key to Henk Visch’s sculptural practice. He is unwilling to submit the creation or exhibition of his sculptures to any programmatic, stylistic or technical system

Antony Gormley

Antony Gormley

<b>Do you feel a thrilling jolt anytime you pierce paper with a stapler? Does nothing feel better than an ultra-smooth Pilot pen rolling languorously across your Moleskine?</b> Here's some art you might really appreciate.

<b>Do you feel a thrilling jolt anytime you pierce paper with a stapler? Does nothing feel better than an ultra-smooth Pilot pen rolling languorously across your Moleskine?</b> Here's some art you might really appreciate.