Moonrise Wien
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En Route Photography #business #card. I love the use of the gold foil like the corners were dipped in liquid gold. Modern, elegant photographer stationary.

En Route Photography #business #card. I love the use of the gold foil like the corners were dipped in liquid gold. Modern, elegant photographer stationary.

BE SPECIAL | TYPOGRAPHY PRINT BY STEPHANIE WUENSCHE

BE SPECIAL | TYPOGRAPHY PRINT BY STEPHANIE WUENSCHE

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The white space caught my eye first. The small type along the top and in the bottom left corner balance this cover as the image weighs it down. I like how the image is treated, printed in black and white and cropped so that some of the figure isn't visible; it peaks intrigue.

The white space caught my eye first. The small type along the top and in the bottom left corner balance this cover as the image weighs it down. I like how the image is treated, printed in black and white and cropped so that some of the figure isn't visible; it peaks intrigue.

Plastic playtime // Stories Collective on Behance 사선과 원을 활용, 창 안에 새로운 창을 만들어 전면 컷과 확대 컷 동시 제공

Plastic playtime // Stories Collective on Behance 사선과 원을 활용, 창 안에 새로운 창을 만들어 전면 컷과 확대 컷 동시 제공

我给采集到Layout design(363图)_花瓣:

我给采集到Layout design(363图)_花瓣:

Flora (n.) Origin—from Flora, Roman goddess of flowers Definition—plant life; plants of a particular region or period Ex.—Pollution is harming not only the residents in the city but also its flora and fauna.

Flora (n.) Origin—from Flora, Roman goddess of flowers Definition—plant life; plants of a particular region or period Ex.—Pollution is harming not only the residents in the city but also its flora and fauna.

WIRED Food Issue | Claudia de Almeida:

WIRED Food Issue | Claudia de Almeida:

I really like this book. The inside pages look beautiful and the minimal colour palette works so well. Love the binding.

I really like this book. The inside pages look beautiful and the minimal colour palette works so well. Love the binding.

The New Sylva book cover and layout by Peter Dawson

The New Sylva book cover and layout by Peter Dawson