John piper artist
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Famous for his romantic landscapes, views of ruined churches, stately homes and castles, John Piper (1903 – 1992) is considered to be one of the most significant British artists of the 20th Century. This is part 2 of a 3-part post on the works of John Piper. Parts 1 and 2 show his work chronologically. Part 3 features his 1964 series ‘Churches’, and his 1977 series ‘Victorian Dream Palaces’. For biographical notes on Piper, and for earlier works, see part 1. 1968 Besse, Dordogne screenprint…
Works by John Piper: Llantrisant Church, Anglesey, 1946 , Christ Church, Spitalfields, 1963-64, c.
John Piper
John Piper
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Works by John Piper : Ceres and Proserpine, 1990 , Halifax, 1990 , Alpilles, 1989 , Kirkham Priory Gateway, 1988 , The Temple of Diana, 1988 , Cascade Bridge, Halswell, 1987 , Terrace with Morning Glories, 1987 , The Grotto, Halswell, Somerset, 1987 , Nude I, 1986 , Nude II,...
John Piper Ruishton, 1986 Signed 'John Piper' lower right, numbered '19/100' (lower left) Screenprint 27 x 17 3/4 in / 68.5 x 45 cm
Wymondham (L. 205)
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Bid Live on Lot 647 in the Decades of Design Auction from Fieldings Auctioneers.
Works by Stuart Robertson: Arc de Triomphe , Bauhaus 3 , London Café 1 , Marble Arch London , Miles Van Dee Rohe , Notre Dame de Paris , Queens Pier , Samuel Barber’s Adagio , Still Life with Brown Jug , The Deltiologist
Take a journey into the lyrical, mystical and poetic work of the British Neo-Romantics, including John Piper, Graham Sutherland and Keith Vaughan.
Works by John Piper: Llantrisant Church, Anglesey, 1946 , Christ Church, Spitalfields, 1963-64, c.
View Compton Valence (1954) By Piper John; watercolour, ink, gouache and pastel; 20 ¾ x 13 ¾ in. (52.8 x 35 cm.); Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.
This large oil was painted circa 1985-1987 and hung on the wall of Piper’s studio in Fawley Bottom until sometime after Piper’s death in 1992. The picture was exhibited at ‘John Piper: A retrospective’, Waddington Galleries 1994, and is illustrated in colour in the catalogue. In “John Piper”: Ashmolean Museum; Oxford 1992, David Fraser Jenkins in writing notes on an Indian ink, gouche and chalk of “The Abbey from the churchyard , Arbroath”, which was a study for this oil, says: “The abbey of…
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