Film branding

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Logo, branding & Design Inspiration on Instagram: "@mongadesign  @controlfreak.tv a film production company based in Kyiv, Ukraine. The studio’s name reflects how they are and what makes them comfortable: taking care of each project with a lot of responsibility and passion, but also a little bit of good madness. The color palette, composed of worn grays, alongside rich textures, pays homage to the tangible, handcrafted feel of the retro era, referencing shooting on film - as Control Freak often does.  Visual Identity: @mongadesign → @marescordeiro.design @mateusyuzo @michelrefatti  Naming: @caldo.grafico → @franskk @jademonteiro   Motion: @clint.studio → @brazzalle lucasjoselorenzo @luciano.nrd   . . .  #morrre_branding #logobook #criacura #fruitsartclub #citysodaclub #lavendrtype #type01 Street Symbols, Symbol For Creativity, Retro Symbols, Film Company Logo, Freelancer Logo, Newspaper Logo, News Logo, Film Production Company, Personal Branding Logo

Logo, branding & Design Inspiration on Instagram: "@mongadesign @controlfreak.tv a film production company based in Kyiv, Ukraine. The studio’s name reflects how they are and what makes them comfortable: taking care of each project with a lot of responsibility and passion, but also a little bit of good madness. The color palette, composed of worn grays, alongside rich textures, pays homage to the tangible, handcrafted feel of the retro era, referencing shooting on film - as Control Freak…

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The National Film School of Denmark is a state school located in Copenhagen. It has eight programs: documentary director, fiction director, animation director, producer, scriptwriter, cinematographer, sound editor, film editor, game developer. Lars von Trier and Susanne Bier are

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53rd Karlovy Vary International Film Festival on Behance Cinema Design Graphic, Film Production Design, Film Screening Poster, Cinema Festival Poster, Film Festival Branding, Cinema Graphic Design, Film Festival Poster Design, Film Festival Design, Cinema Branding

The 53st edition's visuals suddenly return to a simple typography that builds on nostalgia for celluloid, or more generally, analog. In his classical game of upgrading and ironizing any graphic cliché Marek Pistora hid number 53 in the classical film perf…

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