A Bright Room Called Day. Trinity University. Scenic design by Adam Miecielica.
Directing-The Importance of Being Earnest
Related image
‘The Glass Menagerie,’ Cambridge, Mass. - NYTimes.com - Please come to New York so I can see this!
Design for Stage & Film
A Raisin in the Sun, by Lorraine Hansberry, Directed by Kenneth Washington, set design by Sarah Coombs, costume design by Tricia Barsamian, lighting design by Driscoll Otto, photo by George Mott. NYU Department of Graduate Acting, Atlas Room, 2006.
Charlie Corcoran Design
Craving for Travel. Playwrights Horizons. Scenic design by Charlie Corcoran. Photo by Stephen Sorokoff.
The Business of Fashion on Twitter
Set design at Louis Vuitton Autumn-Winter 2014 Men Fashion Show #PFW #RTW #AW14 #LouisVuitton #LVMH via @Pinterest for Business of Fashion
Alex Eales, Theatre Design
Design For Living. Salisbury Playhouse Alex Eales set design. 2012
Robin Vest Set Design
Don't Go Gentle. Manhattan Class Company. Scenic design by Robin Vest. 2012
Alan E. Schwanke
Blithe Spirit. Artists Repertory Theatre, Portland. Scenic design by Alan Schwanke.
Image Detail (Buderwitz)
No Man's Land. Odyssey Theatre. Scenic design by Tom Buderwitz.