Title Sequences & End Credits

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Creative Directors: Anthony Liu, PJ Richardson Executive Producer: Michael Bennett Senior Producer: Dan Masciarelli Art Director: Anthony Maiuri Design: Anthony Maiuri, Anthony Liu, PJ Richardson, Yongmin Park 2D Animation: Anthony Liu, Anthony Maiuri, Ramzi Hogan 3D Animation: Anthony Liu, Anthony Maiuri Compositing: Ramzi Hogan, Anthony Maiuri, June Ahn Music: Henry Jackman

Creative Directors: Anthony Liu, PJ Richardson Executive Producer: Michael Bennett Senior Producer: Dan Masciarelli Art Director: Anthony Maiuri Design: Anthony Maiuri, Anthony Liu, PJ Richardson, Yongmin Park 2D Animation: Anthony Liu, Anthony Maiuri, Ramzi Hogan 3D Animation: Anthony Liu, Anthony Maiuri Compositing: Ramzi Hogan, Anthony Maiuri, June Ahn Music: Henry Jackman

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Directed & Designed by Henry Hobson with Elastic   The nomination package for the Best Picture Category in the 2015 Academy Awards, as part of a series of 20 different graphic title sequence packages for each category within the show. Commissioned by Show Producer Lee Lodge

Directed & Designed by Henry Hobson with Elastic The nomination package for the Best Picture Category in the 2015 Academy Awards, as part of a series of 20 different graphic title sequence packages for each category within the show. Commissioned by Show Producer Lee Lodge

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Documentary Series Opening / Director's Cut  Art direction, Creative Producing: Igor Gritsik Graphics design: Andrew Vasilyev, Alexander Lyubimov  Animation, Art direction: Alexander Lyubimov  SoundFX: Vladimir Matveev

Documentary Series Opening / Director's Cut Art direction, Creative Producing: Igor Gritsik Graphics design: Andrew Vasilyev, Alexander Lyubimov Animation, Art direction: Alexander Lyubimov SoundFX: Vladimir Matveev

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Titles and graphics for director Greg Barker’s documentary, “We Are The Giant”, a Passion Pictures & Motto Pictures Production that premiered at this year’s Sundance Film Festival.  Creative Directed & Designed by Manija Emran http://www.manijaemran.me  Produced by Mill Plus themillplus.com

Titles and graphics for director Greg Barker’s documentary, “We Are The Giant”, a Passion Pictures & Motto Pictures Production that premiered at this year’s Sundance Film Festival. Creative Directed & Designed by Manija Emran http://www.manijaemran.me Produced by Mill Plus themillplus.com

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The objective of this motion piece is to create a chaotic and energetic atmosphere that a slum in India depicted in Slumdog Millionaire has with collage-style graphics and dynamic animations.  Final Project in Motion Design 2 at Art Center College of Design Music: OK by Dfalt

The objective of this motion piece is to create a chaotic and energetic atmosphere that a slum in India depicted in Slumdog Millionaire has with collage-style graphics and dynamic animations. Final Project in Motion Design 2 at Art Center College of Design Music: OK by Dfalt

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I was hired on by Imaginary forces as a freelance art director/designer to help with the look and vision of the opening title sequence to the show Person of Interest.  Here is the final product and below a link to some of the actual working photoshop design frames.  http://ashthorp.com/person-of-interest

I was hired on by Imaginary forces as a freelance art director/designer to help with the look and vision of the opening title sequence to the show Person of Interest. Here is the final product and below a link to some of the actual working photoshop design frames. http://ashthorp.com/person-of-interest

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This title sequence was the first time Pixar attempted anything 2D. I am pretty sure it was also the first time After Effects was used on a finished shot for a Pixar feature. Just two people worked on the art and animation for the entire sequence.  Oscar nominee Geefwee Boedoe conceived and designed it and I did all the After Effects animation and compositing. The first version we showed was rejected by John Lasseter because it was only white lines on black, and a little too scary,  Geefwee…

This title sequence was the first time Pixar attempted anything 2D. I am pretty sure it was also the first time After Effects was used on a finished shot for a Pixar feature. Just two people worked on the art and animation for the entire sequence. Oscar nominee Geefwee Boedoe conceived and designed it and I did all the After Effects animation and compositing. The first version we showed was rejected by John Lasseter because it was only white lines on black, and a little too scary, Geefwee…

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Vimeo

Vimeo

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Main title sequence for Robert Rodriguez's film, Machete. Designed by Kurt Volk.

Main title sequence for Robert Rodriguez's film, Machete. Designed by Kurt Volk.

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