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fabriciomora:    Construction 6, “Icarus”  Sculpture Made from Basswood Sticks

fabriciomora: Construction 6, “Icarus” Sculpture Made from Basswood Sticks

architectural drawings

architectural drawings

Paul Klee, Forest Architecture, 1925

Paul Klee, Forest Architecture, 1925

Joan Miró – Untitled, 1973

Joan Miró – Untitled, 1973

Struan Teague, Carrara quarry, Italy. 2 colour lithograph print. This abstract axonometric drawing of a marble quarry revels the geometry this man made landscape. Because axonometric projection is used instead of perspective, we can easily read the...

Struan Teague, Carrara quarry, Italy. 2 colour lithograph print. This abstract axonometric drawing of a marble quarry revels the geometry this man made landscape. Because axonometric projection is used instead of perspective, we can easily read the...

An Architecture Student's Visual and Philosophical Musings. It could be cut paper.

An Architecture Student's Visual and Philosophical Musings. It could be cut paper.

Check out this collection of amazing art & creativity!

Check out this collection of amazing art & creativity!

Francis Alys recreating a political border between Israel and Jordan.

Francis Alys recreating a political border between Israel and Jordan.

Charles Ray 1973 / two black-and-white photographs mounted on rag board / each 39 1/2 x 27 inches / 100 x 69 centimeters PERFORMANCE ART

Charles Ray 1973 / two black-and-white photographs mounted on rag board / each 39 1/2 x 27 inches / 100 x 69 centimeters PERFORMANCE ART

Marina Abramović, Serbo-Croatian, born November 30, 1946 in Belgrade, Serbia) is a New York-based Serbian performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the "grandmother of performance art." Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind

Marina Abramović, Serbo-Croatian, born November 30, 1946 in Belgrade, Serbia) is a New York-based Serbian performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the "grandmother of performance art." Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind