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The techniques Australian artist Kate Shaw is using to create her wonderful works are pretty unique: first, she pours skins of acrylic paint and lets them form naturally; then she looks for landscapes within these abstract forms to cut and reassemble. The outcome are collages that remind you of natural landscapes, showing trees, mountains and lakes, but still giving you a surreal sensation.

The techniques Australian artist Kate Shaw is using to create her wonderful works are pretty unique: first, she pours skins of acrylic paint and lets them form naturally; then she looks for landscapes within these abstract forms to cut and reassemble. The outcome are collages that remind you of natural landscapes, showing trees, mountains and lakes, but still giving you a surreal sensation.

kate shaw

kate shaw

A cloisonné enamel jar and cover Meiji period (late 19th century), signed Kyoto Namikawa (Workshop of Namikawa Yasuyuki; 1845-1927) The bulbous jar decorated in polychrome enamels and silver wires with trailing branches of wisteria and sparrows on a blue ground, the lid and mouth rim enamelled with a floret pattern, the shoulder and base with floral lappets, the lid set with a gilt chrysanthemum finial, signature on a silver tablet mounted on base

A cloisonné enamel jar and cover Meiji period (late 19th century), signed Kyoto Namikawa (Workshop of Namikawa Yasuyuki; 1845-1927) The bulbous jar decorated in polychrome enamels and silver wires with trailing branches of wisteria and sparrows on a blue ground, the lid and mouth rim enamelled with a floret pattern, the shoulder and base with floral lappets, the lid set with a gilt chrysanthemum finial, signature on a silver tablet mounted on base

A large cloisonné enamel oviform vessel and cover Meiji period (late 19th century) Set on tripod feet, worked in gilt and silver wire, the body with two wide bands of lobed panels enclosing assorted floral motifs and stylised insects and birds, above a band of lappet panels containing alternating confronted dragons and phoenix birds on a transparent enamel ground flecked with aventurine, the cover similarly decorated and surmounted with a domed-shaped finial

A large cloisonné enamel oviform vessel and cover Meiji period (late 19th century) Set on tripod feet, worked in gilt and silver wire, the body with two wide bands of lobed panels enclosing assorted floral motifs and stylised insects and birds, above a band of lappet panels containing alternating confronted dragons and phoenix birds on a transparent enamel ground flecked with aventurine, the cover similarly decorated and surmounted with a domed-shaped finial

Zou Yigui (鄒一桂) , 清 邹一桂 郎世宁 清供四屏图 1.

Zou Yigui (鄒一桂) , 清 邹一桂 郎世宁 清供四屏图 1.

Zou Yigui (鄒一桂) , 清 邹一桂 郎世宁 清供四屏图 3.

Zou Yigui (鄒一桂) , 清 邹一桂 郎世宁 清供四屏图 3.

Kanzeonbosatsu by Kawanabe Kyosai

Kanzeonbosatsu by Kawanabe Kyosai

Sitting Woman with a Cat - oil by Pierre Bonnard (1892) via WikiPaintings

Sitting Woman with a Cat - oil by Pierre Bonnard (1892) via WikiPaintings

Pierre Bonnard - Woman in front of a mirror [Femme devant un miroir] c.1908

Pierre Bonnard - Woman in front of a mirror [Femme devant un miroir] c.1908