Juhyung Han

Juhyung Han

Seoul / Literary critic, poet, and painter twitter.com/JuhyungHan www.instagram.com/han.juhyung yourjuhyunghan.tumblr.com
Juhyung Han
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Christoffer Wilhelm Eckersberg (Danish, 1783-1853), The so-called Raphael's Villa in the Garden of the Villa Borghese in Rome, 1814-16, oil on canvas, 27.5 x 24.5 cm. (10.83 x 9.65 in.), Hamburger Kunsthalle, Germany.

Christoffer Wilhelm Eckersberg (Danish, 1783-1853), The so-called Raphael's Villa in the Garden of the Villa Borghese in Rome, 1814-16, oil on canvas, 27.5 x 24.5 cm. (10.83 x 9.65 in.), Hamburger Kunsthalle, Germany.

Fernand Khnopff (Belgian, 1858-1921), One Has Only Oneself (On n’a que soi), Drawing for the artist’s ex libers, 1892, India ink on paper, 8x6 cm, Brussels, Bibliothèque royale Albert 1er, Cabinet des estampes.

Fernand Khnopff (Belgian, 1858-1921), One Has Only Oneself (On n’a que soi), Drawing for the artist’s ex libers, 1892, India ink on paper, 8x6 cm, Brussels, Bibliothèque royale Albert 1er, Cabinet des estampes.

Agnolo di Cosimo on Sir Alfred James Munnings, KCVO, PRA (English, 1878–1959), 'Sun Worship', a Design for a Drop Cloth for the Chelsea Arts Ball,  oil on canvas, 127.5 x 101 cm, The Munnings Art Museum. Agnolo di Cosimo (Agnolo Bronzino, Italian, Florentine, 1503–1572), Venus, Cupid, Folly and Time, c.1544-45, Oil on wood, 146×116cm, London, National Gallery.

Agnolo di Cosimo on Sir Alfred James Munnings, KCVO, PRA (English, 1878–1959), 'Sun Worship', a Design for a Drop Cloth for the Chelsea Arts Ball, oil on canvas, 127.5 x 101 cm, The Munnings Art Museum. Agnolo di Cosimo (Agnolo Bronzino, Italian, Florentine, 1503–1572), Venus, Cupid, Folly and Time, c.1544-45, Oil on wood, 146×116cm, London, National Gallery.

#Pardes #kiru #kur Sir Alfred James Munnings, KCVO, PRA (English, 1878–1959), Elm Trees (verso), oil on panel, 40.6 x 50.8 cm, The Munnings Art Museum.

#Pardes #kiru #kur Sir Alfred James Munnings, KCVO, PRA (English, 1878–1959), Elm Trees (verso), oil on panel, 40.6 x 50.8 cm, The Munnings Art Museum.

Sigmund Freud on Fernand Khnopff on Henri-Julien-Félix Rousseau (French, 1844-1910), Surprised!, 1891, Oil on canvas, 129.8x161.9cm, The National Gallery. Fernand Khnopff (1858-1921), I lock my door upon myself, 1891, oil on canvas, 72.7x141cm, Neue Pinakothek Munich. https://kr.pinterest.com/pin/521362094345995641/ Sigmund Freud (Austrian, 1856–1939) 1895 Studies on Hysteria (co-authored with Josef Breuer) https://en.wikipedia.org/wiki/Sigmund_Freud

Sigmund Freud on Fernand Khnopff on Henri-Julien-Félix Rousseau (French, 1844-1910), Surprised!, 1891, Oil on canvas, 129.8x161.9cm, The National Gallery. Fernand Khnopff (1858-1921), I lock my door upon myself, 1891, oil on canvas, 72.7x141cm, Neue Pinakothek Munich. https://kr.pinterest.com/pin/521362094345995641/ Sigmund Freud (Austrian, 1856–1939) 1895 Studies on Hysteria (co-authored with Josef Breuer) https://en.wikipedia.org/wiki/Sigmund_Freud

Sigmund Freud on Henri-Julien-Félix Rousseau on Fernand Khnopff (1858-1921), I lock my door upon myself, 1891, oil on canvas, 72.7x141cm, Neue Pinakothek Munich. Henri-Julien-Félix Rousseau (French, 1844-1910), The Merry Jesters, 1906, Oil on canvas, 57 3/8 x 44 5/8 inches (145.7 x 113.3 cm) Framed: 64 3/16 × 51 1/16 × 2 3/4 inches (163 × 129.7 × 7 cm), Philadelphia Museum of Art. Sigmund Freud (Austrian, 1856–1939) 1920 Beyond the Pleasure Principle 1930 Civilization and Its Discontents…

Sigmund Freud on Henri-Julien-Félix Rousseau on Fernand Khnopff (1858-1921), I lock my door upon myself, 1891, oil on canvas, 72.7x141cm, Neue Pinakothek Munich. Henri-Julien-Félix Rousseau (French, 1844-1910), The Merry Jesters, 1906, Oil on canvas, 57 3/8 x 44 5/8 inches (145.7 x 113.3 cm) Framed: 64 3/16 × 51 1/16 × 2 3/4 inches (163 × 129.7 × 7 cm), Philadelphia Museum of Art. Sigmund Freud (Austrian, 1856–1939) 1920 Beyond the Pleasure Principle 1930 Civilization and Its Discontents…

Agnolo Bronzino Venus, Cupid, Folly and Time & Zoran Mušič (Slovene, 1909–2005), Corsican Motif, 1966, oil on canvas, 60.5x81cm, Estorick Collection of Modern Italian Art. Agnolo di Cosimo (Agnolo Bronzino, Italian, Florentine, 1503–1572), Venus, Cupid, Folly and Time, c.1544-45, Oil on wood, 146×116cm, London, National Gallery.

Agnolo Bronzino Venus, Cupid, Folly and Time & Zoran Mušič (Slovene, 1909–2005), Corsican Motif, 1966, oil on canvas, 60.5x81cm, Estorick Collection of Modern Italian Art. Agnolo di Cosimo (Agnolo Bronzino, Italian, Florentine, 1503–1572), Venus, Cupid, Folly and Time, c.1544-45, Oil on wood, 146×116cm, London, National Gallery.

#Dürer Triumphal Arch & Zoran Mušič (Slovene, 1909–2005), Interieur de cathedrale, 1985.

#Dürer Triumphal Arch & Zoran Mušič (Slovene, 1909–2005), Interieur de cathedrale, 1985.

Jean Charlot (French, Paris 1898–1979 Honolulu, Hawaii), The tortilla maker, 1941, Colour lithograph, Sheet: 13 × 20 in. (33 × 50.8 cm), 12 1/2 × 18 9/16 in. (31.8 × 47.2 cm), The Metropolitan Museum of Art.

Jean Charlot (French, Paris 1898–1979 Honolulu, Hawaii), The tortilla maker, 1941, Colour lithograph, Sheet: 13 × 20 in. (33 × 50.8 cm), 12 1/2 × 18 9/16 in. (31.8 × 47.2 cm), The Metropolitan Museum of Art.

Paul Klee (Swiss-German, 1879–1940), Paysage près de E. (en Bavière), 1921, "Paul Klee: L'ironie à l'oeuvre" at Centre Pompidou, Paris.

Paul Klee (Swiss-German, 1879–1940), Paysage près de E. (en Bavière), 1921, "Paul Klee: L'ironie à l'oeuvre" at Centre Pompidou, Paris.